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Although Tabitha was planning to take a job in public relations and Napoleon was planning to attend medical school , they both decided when they graduated college to pursue a career in the dance industry. Napoleon and Tabitha have choreographed for sports teams, movies, television, and for the stage. Napoleon and Tabitha were supervising choreographers for America's Best Dance Crew from season one in to season five in It was on this show that their lyrical hip-hop style gained popularity.
The great thing about this show is that we've really explored a totally new thing which is lyrical hip-hop and [Tabitha and Napoleon] nail it. This show has shown that hip-hop is just a completely legitimate beautiful genre in and of its own and you can tell such beautiful and heart breaking stories. This routine was later nominated for a Emmy Award for Outstanding Choreography.
In an interview with DanceInforma. Later that year in September, Napoleon and Tabitha choreographed the opening dance performance on the season seven premiere of The Ellen Degeneres Show. Napoleon and Tabitha spend a lot of time teaching classes at dance studios and conventions—regional educational events hosted by professional dancers.
The term itself was coined by choreographer and producer Adam Shankman in reference to a routine choreographed by Tabitha and Napoleon to Leona Lewis ' song " Bleeding Love ". In January , the Nappytabs dancewear website launched which began the start of online clothing sales. At the time the website launched they all were faculty members at Shock the Intensive dance convention.
Some of the sponsors were not happy about it and wanted to cover the Nappytabs logo on the clothing. In response to this, judge and executive producer Nigel Lythgoe decided to start calling Tabitha and Napoleon "Nappytabs" during the show so that viewers who looked them up on Google would find their store's website.
The " Arab Money " hip-hop routine they choreographed received positive reviews from the judges but their " Dead and Gone " lyrical hip-hop routine, which was performed later on the same episode, received the most praise. Bonnie Lythgoe called it the "top routine of the night". Tabitha and Napoleon choreographed several television specials later in the year.
Aside from choreography, Tabitha and Napoleon continued to develop and expand their dancewear line. Tabitha was a featured dancer in the video and Napoleon made a cameo appearance at the end. At the invitation of Nigel Lythgoe, they joined the production crew on the tenth season of American Idol as staging and creative directors, [ 67 ] a position they continued to hold for season Tabitha and Napoleon spent the beginning of apart.
She choreographed her music video " Girl Gone Wild " which featured all-male Ukrainian dance troupe Kazaky. Music called the performance "absolutely epic". In February , Tabitha and Napoleon teamed up with TVXQ again to choreograph their music video " Spellbound "—the title track from their seventh album. Just like Alpert's "Puttin' on the Ritz", the video was shot in one take.
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Billboard gave the video a positive review: "The duo makes a strong case for 's best choreography in the [Spellbound] video. After the Move tour, Tabitha and Napoleon continued to work on music videos. They directed and choreographed the music video for "Harlem Hopscotch", the first single from Maya Angelou 's posthumous poetry album Caged Bird Songs.
The video premiered December 23, , on Oprah. The beginning of marked a return to K-pop. Tabitha and Napoleon serve as co-executive producers and supervising choreographers for World of Dance WOD , a television show based on the hip-hop dance competition of the same name. Tabitha and Napoleon's choreography is primarily hip-hop; [ ] however, it varies across genres depending on what project they're working on.
For example, on America's Best Dance Crew all of the group routines they choreographed were hip-hop. Lyrical dance is a studio-based dance style that uses a combination of classical dance techniques from jazz and ballet to tell a story through movement. Hip-hop can incorporate movement from its substyles locking , breaking, popping , and boogaloo to add a different movement quality but conveying emotion does not have to be present as the dance is more about bravado and personal enjoyment.
Lyrical hip-hop is a fluid and more interpretive version of standard hip-hop. It combines the nuances of lyrical dance with the vocabulary and foundational movements found in hip-hop. According to Dance Spirit magazine, what differentiates lyrical hip-hop from standard hip-hop is that dancers interpret the beat differently. However, the movements are smoother and more fluid rather than hard-hitting and, like lyrical dance, emphasis is placed on storytelling and conveying emotion through the choreography.
It shows you that hip-hop [has] completely become a really legitimate beautiful genre in and of its own and you can tell such beautiful and heart breaking stories. The term itself is credited to Adam Shankman , a choreographer and judge on the program, who made a comment in reference to a routine choreographed by Tabitha and Napoleon D'umo to Leona Lewis' song " Bleeding Love ".
Some hip-hop purists feel the interpretive and softer approach means lyrical hip-hop is not hip-hop at all.
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From a purist perspective, dancing to the lyrics would make the choreography linear and too technical. Traditionally in hip-hop, dancing to the beat is essential; lyrics can accent the movement, but the beat is the guiding force for the dancing. Although Tabitha and Napoleon have a solid career in choreography and creative direction, they spend a significant amount of time teaching classes at dance studios and conventions.
They have stated that teaching helps their choreography because it keeps them current on new hip-hop social dances party dances. Over the course of their two-year run, the show received mixed reviews. For their second show PRiSM they signed a six-year deal which included building a new seat theater in a space that used to house a motion-simulator ride.
Tabitha and Napoleon directed both shows. Changes to the original show included a bigger stage, a new set, and added dance routines. Some members stayed with the flagship show in Las Vegas while the others took the show on limited residencies elsewhere. As such, Jabbawockeez would have much more impact as a featured act in a variety show than it has on its own.
The show's original title was Nonsense a nod to the crew's name because, at the time, they lacked a cohesive theme. However, it was Napoleon's idea to change the title to PRiSM since there are seven crew members and when light goes into a prism , seven colors emerge the Luxor hotel is in the shape of a triangular prism.
From that point on, unity and color became the themes of the show [ ] and the title was given the backronym Painting Reality in a Spectrum of Movement.
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PRiSM received positive reviews. Las Vegas Weekly wrote "Those who deride the art of pantomime or breakdancing need to check this show out. It will change your mind. LVS wrote "It's great to see a different kind of headliner — in content and ethnic makeup — thriving on the Strip. LVRJ wrote " They seem to have corrected these shortcomings.
The show has a cohesiveness that it never had before, good follow-through on ideas, and far more intriguing staging. The choreography is strong, varied, and doesn't suffer the repetition that had invaded it previously. Over the course of their involvement with the show, they have received mixed reviews. At worst, their choreography has been criticized as "softie hip-hop more like 'hip-pop' ".
Napoleon dumo nationality: Tabitha A. D'umo (née Cortopassi) and Napoleon Buddy D'umo, known together as Nappytabs, are Emmy Award-winning married choreographers. They are best known for their choreography on the television show So You Think You Can Dance and for being supervising choreographers and executive producers of America's Best Dance Crew.
It was beautiful and I totally saw the story. I got chills I played it times. On the first performance episode, contestants Katee Shean and Joshua Allen performed a D'umo choreographed lyrical hip-hop piece to the song " No Air " by Jordin Sparks. This routine received positive reviews and was later chosen as a "Judges' Favorite" by judge and executive producer Nigel Lythgoe to be performed again during the finale.
Seasons five and six brought less praise for Tabitha and Napoleon. During season five's Top 8 performance episode, Lythgoe commented after a hip-hop routine choreographed by Shane Sparks "It's wonderful to have Shane Sparks back this season. He brings something else I've been a little disappointed with our hip-hop this year. The most significant criticism came during season six in response to " People are Strange "—a routine about how aliens would attempt to dance hip-hop.
None of the judges liked the routine. Lythgoe said the routine placed concept theme over substance dancing. The concept is about a psychologist tWitch who teaches a dancer Alex to let go of his technique and inhibitions and just dance. This is about a ballet dancer doing the most incredible hip-hop If this routine and you are not up for an Emmy with Napoleon and Tabitha next year, I don't know why not.
It's probably one of the funnest, best hip-hop routines we've ever had on this show. On a later episode, Tabitha and Napoleon choreographed a lyrical hip-hop routine to Alicia Keys debut single " Fallin' ". Of the dance, judge Mia Michaels stated "That to me felt more real than any contemporary piece, honestly, because it came from such a raw raw space and place.
That was absolutely unbelievable, and it was like watching a dance film. The positive reviews continued through the rest of the season. Of Tabitha and Napoleon's " Scars " routine about angry clowns, Lythgoe called the piece "stunning" and Michaels described it as "hip-hop theater".
It's been like home run after home run after home run Instead, it was performed by tWitch and special guest Ellen DeGeneres as a tribute to Alex just before Lauren Froderman was declared the winner of season seven. Season eight brought back mixed feedback. Early in the season, Tabitha and Napoleon choreographed a lyrical hip-hop routine " Coming Home " about a veteran coming back to his wife after returning from his deployment.
The routine generated positive while emotional responses causing both guest judge Debbie Reynolds and resident judge Mary Murphy to cry while giving feedback. Although Tabitha and Napoleon choreographed two of them, she criticized their work while giving feedback on all three. She indirectly criticized them after a lyrical hip-hop piece choreographed by Marty Kudelka in which she referred to the dance style as "dated".
Several props including trash cans, rags, and brooms were used in the second routine " Bad Boys for Life " about waste management workers. Aside from disliking the props, she described their hip-hop choreography for "Bad Boys for Life" as " contrived ". With the exception of a make-out scene the choreography was generally praised among critics.
The Washington Post stated "Although the bit of bedroom footwork was more laugh-inducing than anything, some of the dancing really is spectacular. Scenes from the competing clubs include impressive choreography and gravity-defying moves. They bring forth the unique charm of watching a dance movie. And the dancing here is exciting, innovative, and specific.
Each 'number' has a story behind it, a motivation, a different look and feel I could have lived without the choreographed literally foreplay scene, as they dance their way to the bed, but there are other dance sequences between the two where their chemistry vibrates off the screen. At the Primetime Emmy Awards ceremony, they joined the other choreography nominees and created a routine honoring dance that was performed just before the Outstanding Choreography award was presented.
Tabitha and Napoleon choreographed four routines on the list. Tabitha and Napoleon have donated money and their time to different non-profit organizations. In the wake of the Haiti earthquake , Tabitha and Napoleon held a week-long fundraiser from online sales of their dancewear line. The event raised money for the Monsters on the Move Foundation which grants scholarships to aspiring dancers.
In , they worked with the Jabbawockeez again on a music video to the song "Celebrate" by Empire of the Sun and Tommy Trash. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikiquote Wikidata item. American married choreographers. Life and career [ edit ].
Choreography style [ edit ]. Artistry [ edit ]. Lyrical hip-hop [ edit ]. Teaching [ edit ]. Critical reception [ edit ]. JabbaWockeeZ [ edit ]. PRiSM [ edit ]. Seasons four, five, and six [ edit ]. Seasons seven and eight [ edit ]. Make Your Move [ edit ]. Awards and recognition [ edit ]. Charity work [ edit ]. See also [ edit ].
References [ edit ]. Archived from the original on July 25, Retrieved June 28, Mass Movement Management Ltd. Us Weekly. Archived from the original on October 14, Retrieved August 11, Archived from the original on September 12, Retrieved September 11, Notify me of follow-up comments by email. Notify me of new posts by email. December 21, , 1pm.
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Season 7. Episode 1. April 20, Movmnt Magazine. August Los Angeles. Dance Retailer News 5. Macfadden Performing Arts Media: King Productions, Inc. Archived from the original on June 30, Retrieved July 21, September 10, Archived from the original on February 13, Retrieved September 11, Entertainment Weekly.