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Prior to Wonder Woman , Jenkins had not directed a feature since the drama Monster. That film earned Charlize Theron the best actress Oscar and established Jenkins as a talent to watch. After a cherished project about test pilot Chuck Yaeger fell apart due to rights issues, Jenkins got married and started a family.
She then directed the pilot of The Killing and stayed in TV for a while before she found herself in the mix to direct Wonder Woman. The gig initially went to Michelle MacLaren, who left the project a little while later, reportedly due to creative differences. Jenkins took the reins in and the rest is history.
Now, Arguelles says every studio and major independent is calling.
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It would appear those Hollywood executives who are less enlightened than others are being forced to take note. What all this should be heading towards is a non-gender marketplace where men and women can make whatever movie they want to make for whatever audience turns up. Director Jon M Chu tells Screen about the choices he made in four key scenes.
By continuing to use our sites or services, you agree to our Terms of Use including the class action waiver and arbitration provisions and Privacy Policy , which have recently changed. Share this. Prev Next. Dismiss Disclaimer Your Privacy Rights. Search Search. And DVD sales used to bring that in, if not more. It was not this indie, art-house film.
It was a sweeping, mainstream, emotional epic. Spielberg ultimately passed on directing it, but Lee Daniels, fresh off an Oscar nomination for the film Precious , signed on. Daniels put together a cast that included prominent black stars such as Oprah Winfrey and Forest Whitaker, as well as major white stars such as Robin Williams and Jane Fonda to play the presidents and first ladies.
In the end, The Butler found a champion in a producer named Laura Ziskin, who had considerable clout in Hollywood: She had produced Pretty Woman and the Spiderman trilogy. She died in of breast cancer.
Rowena arguelles biography examples
She targeted wealthy African Americans, urging them to fund the project because it was a chronicle of the civil-rights movement. Dozens of others followed. That was the journey. The journey was indeed an extraordinary one. If that was the case, had they been right? I asked Strong how The Butler had done in the foreign market. The international-distribution rights sold for double the expected amount.
The Weinstein Company ultimately picked up the movie for distribution—and gave it the wide release that Strong had always believed it deserved.
The Butler was the No. Strong then recounted the story behind Slumdog Millionaire , whose script—an Indian love story set against the backdrop of a high-stakes game show—appeared on the Black List. Warner Independent Pictures, a division of Warner Brothers, picked up the film but was soon shuttered. That was the plan, until Fox Searchlight picked up the marketing and distribution rights for a limited release and the film became a word-of-mouth and critical sensation.
How could so many people in Hollywood have been so embarrassingly, overwhelmingly wrong?
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Strong was sanguine. Leonard has a more pointed explanation. The script, which was based on a young-adult book, featured a strong, independent teenage girl as its heroine, an unusual protagonist for an action film. Most of the major studios passed on it, leaving it to Lionsgate, a studio that had little experience making this type of movie—up until that point, the studio was mostly known for the Saw horror-movie franchise.
Lionsgate bought the script in , just before the book was published.
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The next year, the script appeared on the Black List and the book sold 4. In , it was the third-highest-grossing film in the U. When the Academy holds its 89th Oscars on February 26, it will likely recognize a considerably more diverse pool of talent than it did in Films like Moonlight , Fences , Lion , and Loving , all of which star lead actors of color, demonstrate that while Hollywood is of course the home of the Fast and the Furious franchise, it is also a place of true artistry from diverse voices.
Yet such films are by no means the future of the industry. They are rare and extraordinary exceptions—the backstories of which almost inevitably include a great deal of perseverance and serendipity.
Rowena arguelles biography examples today: Rowena Arguelles is a motion picture literary agent, and as The Hollywood Reporter pointed out in its “ Women in Entertainment Power ” issue, she is the only agent in Hollywood—man or.
The very thing that Hollywood prides itself on—making films with compelling plots and rich, interesting characters—is the thing that it is doing less and less of. Storytelling lies at the root of filmmaking—a truth that can get lost in the analysis of foreign-box-office sales and profit margins. Without stories that reflect both the great and the tragic, the mainstream and the marginalized, the country risks losing a vital artery for empathy, concern, and curiosity.
Culture is mandating. The best result of this current movement would be for these precedent-setting, game-changing events to no longer have to be regarded as exceptional. Each is smart, passionate, and heartfelt about the incredible opportunity we have to create a more diverse, inclusive, and intersectional world. Your California Privacy Rights.
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