Where was otto dix born
Accessed February 16, Lunday, Elizabeth.
Otto dix
Olaf Peters New York: Prestel, , Bibliography Hermann, Ingo. Share this: Twitter Facebook. Like Loading Leave a comment Cancel reply. Subscribe Subscribed. Sign me up. Already have a WordPress. Log in now. Without a purpose or a place in life, viewed only as a token of the German defeat, the only thing left for the veterans is playing cards and passing time with fellow soldiers.
Besides giving shape to terror, Dix painted this tableau to illustrate the dehumanizing effects a war has on people, stripping them of all their senses, as the characters are portrayed deaf, blind, burnt, and crippled. The fact that the soldiers have patches and numerous aiding devices sends the viewer into the era of industrialized war.
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Otto dix biography 1969
Wikidata item. Painting by Otto Dix. History and description [ edit ]. Provenance [ edit ]. In this scene, he is fully facing the viewer, while in other portraits he is in profile. He is engaged in the act of painting, presumably the portrait itself. The dark and ominous view of the Alps can be seen out the window in the distance.
His father was a mold maker in an iron foundry, and Dix inherited his strength of character and steel-blue eyes. From his mother, a seamstress, he received a love of music and poetry. He first displayed his artistic talent - especially in drawing - during elementary school. At the age of ten, he modeled for painter Fritz Amann and, impressed by his experience in the studio, decided to become a painter himself.
His school art teacher, Ernst Schunke, guided his study and helped him get financial assistance. The award required that he learn a craft while he continued to study art with Schunke, so he became an apprentice decorator for four years. There was a huge creative output in the city, with a well-established and internationally renowned art and music scene that hosted large exhibitions and events.
Skatspieler von otto dix biography
Dix did not struggle financially during art school; after the first semester he was exempt from paying fees and received a stipend. He also made extra money selling small portraits and genre paintings as well as coloring photographs. The Academy did not offer academic painting, but a more craft-oriented education.
As a result, Dix was essentially a self-taught painter.
But he did try sculpting under the guidance of Richard Guhr. A bust of Friedrich Nietzsche he created was purchased for the Dresden State Museum, but was later destroyed by the Nazis. Through his intensive study of the Old Dutch, Italian, and German Masters, Dix taught himself how to paint with their methods - building up layers of paint to create depth and luminescence.
However, he was also impressed by the Expressionists and the Post-Impressionists and in particular by a Vincent van Gogh exhibition that he saw in Primarily painting portraits and landscapes, Dix experimented with pen and ink and made his first prints in When WWI began, Dix volunteered, somewhat eagerly, for service, and was drafted into a field artillery regiment; but by he was a machine gunner at the frontlines in France, and his experience of several horrific battles began to sour his enthusiasm.
The Skat Players (1920) by Otto Dix – Artchive: The Skat Players (German: Die Skatspieler) is an oil-and-collage-on-canvas painting executed by Otto Dix in It depicts disabled veterans of the First World War playing a card game. It has the dimensions of by 88 cm. It is held at the Neue Nationalgalerie in Berlin.
He was wounded several times, but managed to create sketches of many of the tragic scenes he witnessed. In the aftermath of the war, Dresden was a shadow if its former self. No longer a seat of government, it suffered a huge drop in income and severe rationing. However, the artistic scene adapted and came back full force. With the value of money and political ideas in constant flux, Dix was driven to experiment.
He had already taken on some elements of Futurism and Cubism during the war years; now he began integrating Dadaist and Expressionist elements into his work. In , he co-founded the Dresdner Sezession Gruppe and participated in two of their exhibitions at the Galerie Emil Richter. He created surreal portraits and woodcuts, even delving into collage and mixed media.
After , Dix synthesized and transformed these styles into his own brand of realism. Over the next few years, he composed some of his most disturbing canvases of sexual violence, murder, and cruelty. This relocation was an important shift as he studied with new teachers, Heinrich Nauen and Wilhelm Herbeholz, and became a part of both Johanna Ey's art salon circle and the German modernist Das Junge Rheinland group.
In , Dix married Martha Koch and over the next decade had three children, all of whom were captured on canvas throughout their childhoods.
Otto dix biography painting
Throughout the s Dix was included in many of the most significant exhibitions of new art in Germany. Most importantly, he was included in Neue Sachlichkeit , the exhibition at the Kunsthalle Mannheim in that gave its name to the movement that Dix would forever be associated with. Neue Sachlichkeit evolved out of Expressionism, but took on qualities of the classical, linear realism that was becoming prevalent in Italy and France.
It appeared more sober and realistic than previous styles, though in the hands of artists such as Dix and Grosz, it was no less critical. Some of the artists were called the Verists and could be aggressive and cynical, while others, less abrasive, were described as Magic Realists. Dix was a Verist and, with a critical spirit, he turned his portrait skills on the decadence and debauchery of Weimar society, with works like Metropolis