T&s eliot short biography

The poet also edited the journal throughout the span of its publication He officially became a British citizen in Whatever else was afoot, Eliot continued to write, and his major later poems include "Ash Wednesday" and "Four Quartets" For his vast influence—in poetry, criticism and drama— Eliot received the Nobel Prize in Literature in We strive for accuracy and fairness.

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  • If you see something that doesn't look right, contact us! Nikki Giovanni. How Did Shakespeare Die? A Huge Shakespeare Mystery, Solved. Shakespeare Wrote 3 Tragedies in Turbulent Times. The Mystery of Shakespeare's Life and Death. Bhatta, Damaru Chandra Eliot's Writings". The Journal of University Grants Commission. Retrieved 2 January Bicknell, John W.

    Scott Fitzgerald". The Virginia Quarterly Review. JSTOR Bloom, Harold New York: Warner Books. In Our Time. BBC Radio 4. Bush, Ronald, ed. Eliot: The Modernist in History. Cambridge: Cambridge Univ. Gordon, Lyndall In Bush , pp.

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    Walton In Skeat, Walter William ed. The Canterbury Tales Prologue. Clarendon — via Wikisource. Cox, C. Eliot: The Waste Land. Nashville: Aurora. Aiken, Conrad In Moody, A. David ed. The Cambridge Companion to T. Cambridge: Cambridge University Press. Donnelly, Timothy 9 December The Week. Drew, Elizabeth Eliot: The Design of His Poetry.

    New York: Charles Scribner's Sons. Eburne, Jonathan P. Studies in the Novel. Eliot, T. The Waste Land 1st ed. New York: Horace Liveright — via Wikisource. Selected Poems. London: Faber and Faber. Eliot, Valerie ed. The Letters of T. Harcourt, Brace, Jovanovich. Emery-Peck, Jennifer Sorensen October S2CID Firchow, Peter E. Journal of Modern Literature.

    Frey, Angelica 1 June Eliot and the Holy Grail". Retrieved 18 January Gay, Peter Modernism: The Lure of Heresy. London: Vintage. Gish, Nancy New York: Twayne. Gold, Matthew K. Vittoz, T. Eliot: An Imperfect Life. New York: W. Harris, Amanda Jeremin Eliot's Mental Hygiene". Holland, Tom ; Sandbrook, Dominic 29 June The Mystery of the Holy Grail".

    The Rest is History. Goalhanger Podcasts. Hopley, Claire College Literature. Kearns, Cleo McNelly Eliot and Indic Traditions. Kent, Nicholas Executive Producer 13 October Retrieved 14 January Lewis, Pericles The Cambridge Introduction to Modernism. Litz, A. Walton November Quoted in Litz , p. Waste Paper — via Wikisource. MacCabe, Colin Tavistock: Northcote House.

  • T&s eliot biography wasteland
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  • T&s eliot short biography
  • Macrae, Alasdair D. York Notes on The Waste Land. Harlow: Longman. Marshall, Colin 15 March Eliot's The Waste Land ". Open Culture. Retrieved 6 December Martin, Jay, ed. Englewood Cliffs: Prentice Hall. Brooks, Cleanth In Martin , pp. McGann, Mary E. The Southern Literary Journal. In an essay on Eliot published in , the writer Cynthia Ozick refers to this peak of influence from the s through the early s as "the Age of Eliot" when Eliot "seemed pure zenith, a colossus, nothing less than a permanent luminary, fixed in the firmament like the sun and the moon".

    As Eliot's conservative religious and political convictions began to seem less congenial in the postwar world, other readers reacted with suspicion to his assertions of authority, obvious in Four Quartets and implicit in the earlier poetry. The result, fueled by intermittent rediscovery of Eliot's occasional anti-Semitic rhetoric, has been a progressive downward revision of his once towering reputation.

    Bush also notes that Eliot's reputation "slipped" significantly further after his death. He writes, "Sometimes regarded as too academic William Carlos Williams 's view , Eliot was also frequently criticized for a deadening neoclassicism as he himself—perhaps just as unfairly—had criticized Milton. However, the multifarious tributes from practicing poets of many schools published during his centenary in was a strong indication of the intimidating continued presence of his poetic voice.

    T&s eliot biography wasteland: A new documentary film to celebrate the centenary of The Waste Land, uncovering the hidden personal story behind Eliot's creation of his enduring poem, directed by Susanna White and.

    Literary scholars, such as Harold Bloom [ ] and Stephen Greenblatt , [ ] acknowledge Eliot's poetry as central to the literary English canon. For instance, the editors of The Norton Anthology of English Literature write, "There is no disagreement on [Eliot's] importance as one of the great renovators of the English poetry dialect, whose influence on a whole generation of poets, critics, and intellectuals generally was enormous.

    The depiction of Jews in some of Eliot's poems has led several critics to accuse him of antisemitism , most forcefully Anthony Julius in his book T. Eliot, Anti-Semitism, and Literary Form It reaches out like a clear signal to the reader. In lectures delivered at the University of Virginia in published in under the title After Strange Gods: A Primer of Modern Heresy , Eliot wrote of societal tradition and coherence, "What is still more important [than cultural homogeneity] is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable.

    In In Defence of T. Eliot and T. Eliot , Craig Raine defended Eliot from the charge of anti-Semitism. Eliot's well-earned reputation [as a poet] is established beyond all doubt, and making him out to be as unflawed as the Archangel Gabriel does him no favours. Eliot was a strong influence on 20th-century Caribbean poetry written in English, including the epic Omeros by Nobel laureate Derek Walcott , [ ] and Islands by Barbadian Kamau Brathwaite.

    Below is a partial list of honours and awards received by Eliot or bestowed or created in his honour. These honours are displayed in order of precedence based on Eliot's nationality and rules of protocol, not awarding date. Eliot Bibliography". Archived from the original on 7 November Contents move to sidebar hide. Article Talk. Read Edit View history.

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    Tools Tools. Download as PDF Printable version. In other projects. American-born British poet — For other people named Thomas Eliot, see Thomas Eliot disambiguation. Poet essayist playwright publisher critic. United States — United Kingdom — Nobel Prize in Literature Order of Merit Vivienne Haigh-Wood. Life [ edit ].

    Early life and education [ edit ]. Marriage [ edit ]. Teaching, banking, and publishing [ edit ]. Conversion to Anglicanism and British citizenship [ edit ]. Separation and remarriage [ edit ]. Death and honours [ edit ]. Poetry [ edit ]. Alfred Prufrock" [ edit ]. Main article: The Love Song of J. Alfred Prufrock. The Waste Land [ edit ].

    Main article: The Waste Land. Main article: The Hollow Men. Main article: Ash Wednesday poem. Old Possum's Book of Practical Cats [ edit ]. Four Quartets [ edit ]. Main article: Four Quartets. Plays [ edit ]. Literary criticism [ edit ]. Critical reception [ edit ]. Responses to his poetry [ edit ]. Antisemitism [ edit ].

    Influence [ edit ]. Honours and awards [ edit ]. National or state honours [ edit ]. Literary awards [ edit ]. Drama awards [ edit ]. Music awards [ edit ]. Academic awards [ edit ]. Other honours [ edit ]. Works [ edit ]. Main article: T. Eliot bibliography. Earliest works [ edit ]. Non-fiction [ edit ]. Posthumous publications [ edit ].

    Critical editions [ edit ]. References [ edit ].

    T s eliot biography wasteland movie

    Carnes eds , American National Biography. Retrieved 12 April Retrieved 20 April In Bloom, Harold ed. Bloom's Biocritiques. Broomall: Chelsea House Publishing. The Waste Land and Other Poems. Broadview Press. ISBN Retrieved 9 July Retrieved 7 November Nobel Foundation. Retrieved 26 April Eliot" , Nobel Foundation, taken from Frenz, Horst ed.

    Nobel Lectures, Literature — Amsterdam: Elsevier Publishing Company, Retrieved 6 March Eliot: The Modernist in History. New York: Cambridge University Press. Eliot: A Short Biography. London: Haus Publishing. Eliot, A Memoir. London: Garnstone Limited. Louis: Washington University Press, , pg. Spring—Summer The Paris Review Interview.

    Interviewed by Donald Hall. Archived PDF from the original on 3 October Hayward, John Davy ed. Poems Written in Early Youth. The Review of English Studies. Eliot, The World Fair of St. Louis and "Autonomy". Nagoya, Japan: Kougaku Shuppan. In Barkan, Elzar; Bush, Ronald eds. Prehistories of the Future. Stanford, California: Stanford University Press.

    American Literary Scholarship. Associates of St. Louis University Libraries, Inc. Louis, Inc. Eliot: The Making of an American Poet, — Pound and Eliot soon became lifelong friends and literary allies. Eliot on the opening of the Emily Hale letters at Princeton". Retrieved 6 January Eliot , Knopf Publishing Group, pg. Retrieved 6 February Philosophy and Literature.

    SSRN Eliot Letters to Emily Hale". PUL Manuscripts News. The Letters of T. Eliot, Volume 1, — Random House, , p. Knopf Publishing Group, , p. Eliot: Volume 1, — London Review of Books. James Joyce. Eliot's Social Criticism. Eliot in Context.

    T&s eliots wife

    Cambridge University Press. Retrieved 26 October I was so thrilled to get that call. It evolved into a film more specifically about The Waste Land , to coincide with the centenary of the poem, which was something the BBC wanted to mark. Those two things dovetailed, Emily Hale and The Waste Land , and it emerged that Emily was absolutely pivotal to creating the latter.

    When I first encountered this poem as an undergraduate I was really scared of it. I was the first generation in my family to go to university, and there seemed to be this mystique around the poem, a sense that you had to know all about the history of Western literature to understand it. But I remember having a very instinctive response to it: there were things about The Waste Land that I found so emotional and so haunting, in terms of the imagery, the music of the poem.

    I was split. I was scared of it, but there was also this level where it spoke to me. What emerged from the letters was that the poem is deeply autobiographical, and there are multiple references in it to things that happened in his life. At its heart, the poem is the story of a man going through an emotional breakdown brought on by the death of his father.

    In the past, Vivien has been written off as a sort of mad figure who brings Eliot down, whereas actually in the making of the film it became apparent — particularly in the work of Anne Pasternak Slater — that she was instrumental in the writing of the poem. One of the reasons Eliot wanted to marry her was because she persuaded him to stay in England and become a poet.

    She gave him the freedom to commit to poetry, but the complications of that marriage became the subject of what I think is his greatest poem. Then you also see, in a different way, the changes Ezra Pound brought to the poem. There was a process of evolution and editing — and it was a joy to see the original drafts of the poem with suggestions and comments and sections crossed out, when I travelled to New York.

    The challenge of this film was to introduce a very difficult poem to people who may have never read it, but also provide an enriching experience for those who have read it. But we also had to tell the story of this famously inaccessible poem. Then Paul just came up with it one day: we should take the structure of the poem, and out of that tell the story of the life.

    That provided us with our backbone. It was wonderful really. I knew right away it was crucial to get Paul, who was the editor I worked with on my poetry films. We were making this film over two years, so we did have to use a range of different people depending on availability. I largely worked with Roger Chapman as DoP. He came in and lent us all kinds of equipment as well.

    I picked up some great crew in America too, including a young keen documentary maker in Missouri called Josh Herum. But the bulk of it was Roger and me. Roger shot a lot of the film sequences of the hyacinth girl. I knew it was crucial to me to get that central image. I wanted her to be backlit, so that there was a kind of halo effect, and we were incredibly lucky with the light on the day that we got it.

    But we also did a lot of shooting just on my kitchen table: we got some mirror tiles and made a prism, adding that to a turntable, and so on. I wanted these vorticist images to suggest the modernism of the poem. Star Wars , for example! I knew there were very key images I wanted. Eliot was very visual, I think, and there were things that spoke to me in The Waste Land.